Honor Band Competition Rules and Entry

In 1958 a set of rules and regulations was developed for the selection of Honor Bands. While these guidelines have been refined on several occasions, the original policies to protect the integrity of the competition have remained intact. Ultimately, however, it is the responsibility of the participating director and administration to maintain the integrity of the Honor Band process. In order for the selection system to accomplish its purpose, all involved must honestly adhere to established procedures and share responsibility for maintaining high ethical standards. In the final analysis, preparation and participation must be consistent with worthwhile educational goals without exploitation of students or the system.

The many outstanding bands that have followed established procedures through the years and emerged as TMEA Honor Bands are evidence of the strength of the concept and regulations. It is the responsibility of all music educators who participate in the honor band selection process to model their preparation and participation after these exemplary programs.

The responsibility for the Honor Band Competition lies solely within the domain of the Band Division Chair. For the sake of clarity, these guidelines are arranged by Region Level, Area Level, State Level, Ranking Procedures for Area and State Levels.

(Last Revision March 2025)

Honor Band Revision Notes

2025

During the 2024-2025 school year, a committee of directors was formed to evaluate the Honor Band process and procedures. This committee included past members and new members of the Honor Band Committee.  The members of the committee included the following:

Mike Howard, John Carroll, Shane Goforth, Jana Harvey, Gerry Miller, John Benzer, Andrew Easton, Lauren Jones, David Stephenson, Dena Laurel, Jolette Wine, Gabe Martinez, Robert Herrings, Joe Munoz, and Frank Coachman

The scope of the committee’s work included discussing the Honor Band process by reviewing work of the 2019 Committee, as well as continuing discussions on Preparation and Recording. Through these discussions, the following recommendations were made:

Review of current guidelines 

After review, the committee recommended to continue forward with the current guidelines regarding Recording Time Limits, Advancement Procedures, State Semi-Finals/Finals Format, Classification Eligibility/Participation Years, and Performance Requirements for Recording.

The committee also recommended the following additions/changes.

5A State Finals Playback Method

One five-member judging panel will judge the State Finals.

Recordings will be randomly sorted utilizing the TMEA Tabulation System.  The judges will each listen to the recordings in a different order. 

Judge 1 will listen on a playback system with speakers and the room will be open for public listening at the TBA Convention. Judges 2-5 will listen individually on headphones and should be in a different room than Judge 1.  Judges 2-5 will utilize the following equipment furnished by TMEA: Beyer Dynamic DT770 Pro 80ohm headphones, Topping DX3 Pro+ audio interface.

Judges will begin listening to different groups as specified below, continuing in the randomly sorted order and wrapping around to the first group after listening to the last randomly sorted group so they hear all groups. Before calculating each judge’s starting position, take the total number of entries and divide by 5 to get a Spacing Interval Value. To calculate each judge’s starting group position: subtract one from the judge’s number, then multiply that number by the Spacing Interval Value, then round that number down to get a whole number, then add one. The following table is provided as a quick reference for a listening ranging from 8 to 16 ensembles.

Number of Finalists  (Spacing Value)	Judge 1 starts with	Judge 2 starts with	Judge 3 starts with	Judge 4 starts with	Judge 5 starts with
8 (1.6)	1	2	4	5	7
9 (1.8)	1	2	4	6	8
10 (2)	1	3	5	7	9
11 (2.2)	1	3	5	7	9
12 (2.4)	1	3	5	8	10
13 (2.6)	1	3	6	8	11
14 (2.8)	1	3	6	9	12
15 (3)	1	4	7	10	13
16 (3.2)	1	4	7	10	13

 

The TMEA Band Division will utilize this playback method for adjudicators beginning in the 2025 Honor Band Adjudication Class 5A Finals only.  

 

Rationale – This system of playback adjudication, as approved/utilized by the Honor Band Review Committee, removes the contest dynamic of ensemble draw-order from the State Finals of the Honor Band Contest and will be utilized in 2025 for Class 5A only.  Class 5A will traditionally have the longest Finals listening session, thus being most adversely affected by draw order.  After successful logistical implementation of this playback system for 2025, the committee recommends moving all classifications to this system for the State Finals round in future years.

Utilization of Judge Preference to Break Ties at the State Level

Two-way ties will be broken by using the judges’ preference with the following exception:

• A second hearing of any band’s recording will occur ONLY if performance at the TMEA Convention is impacted.
• Three-way or more ties involving performance at the TMEA Convention shall be broken by a re-hearing of all tied recordings continuing traditional scoring methods. Ties that remain after the single re-hearing will be broken using traditional TMEA audition tie-breaking procedures (judge preference).

Establishment of a Rubric for Use Beginning in 2026

The committee tasked the band division with the development of a rubric for use beginning in the 2026 Honor Band Competition.  The rubric will be developed and released to the membership at the 2025 Fall Region Meetings.

A letter from the school superintendent (or designee) acknowledging the group will perform at the TMEA Convention is required for all classes. (updated March 2025)

Revisions have been made to the payment process.

The Region entry fee, when a listening session is required, and the Area/State entry fee must be paid by June 1. All bands must pay the Area/State fee by June 1. Failure to remit the Region fee, when required, and the Area/State fee by June 1 will result in disqualification. Bands that have submitted the Area/State fee and withdraw from competition or do not qualify for the Area round will be refunded the $500 Area/State fee by TMEA. 

Eligibility

1. Varsity groups from classes 1C, 2C, 3C, 1A/2A (combined), 3A, 4A, 5A and 6A are eligible to enter the Honor Band Competition.

a. Even Year Recording – Odd Year Convention Performance – Classes 2C, 1A/2A (combined), 4A, 6A

b. Odd Year Recording – Even Year Convention Performance – Classes 1C, 3C, 3A, 5A

2. A band cannot succeed itself as an Honor Band. This will include an Honor Band which changes classification.

3. A school that will have a different director of bands for the next year may not have a recording auditioned at the Region, Area, or State level. A band director who submits a recording in the competition at any level but accepts a new position at a different school must immediately notify the State Band Chair of this change as soon as the change is made. Failure to follow this procedure may result in a penalty to be determined by the TMEA Executive Board.

4. All performers on the recording must be full-time students at the school of the organization entering the competition. (See Eligibility Requirements for TMEA Activities, Section 1, Article II)

5. Bands entering the Honor Band process will enter and perform in the class UIL has designated for that school prior to March 1 of the year of entry. Classification changes for the performance year will have no effect on the Honor Band process.

6. A band may be disqualified from Honor Band competition based on verification of unacceptable practices (including unethical recording practices detailed in Recording Requirements Rule #9). Information concerning unethical practices must be filed in writing using the TMEA Appeals Process.

7. Honor Band preparation may begin on December 1. (not before)

a. Examples of Honor Band submission preparations include, but are not limited to, prior performance (see specifications below), sightreading, rhythm sheets, audition excerpts, or sectionals that are directly in support of or contain content within the repertoire planned for the submission recording.

i. Prior Performance includes performance prior to December 1 of the current school year as well as prior performance in preceding years as outlined below:

1. 1. 1. 1. An organization in a one or two-year school (excluding 6th grade) may repeat a selection in the second year after the most recent performance.
         2. An organization in a three-year school (excluding 6th grade) may repeat a selection in the third year after the most recent performance.
         3. An organization in a four-year school (excluding 6th grade) may repeat a selection in the fourth year after the most recent performance.

8. A statement of compliance will be included as part of the entry documentation with the March 1 entry.

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Entry Requirements

1. The timeline for entering the Honor Band process is as follows:

a. December 1 – rehearsal preparations for each program’s Honor Band submission may begin.

b. Examples of Honor Band rehearsal preparations include, but are not limited to:

i. prior performance,

ii. sightreading,

iii. rhythm exercises,

iv. audition excerpts,

v. sectionals that are directly in support of, or contain content within, the repertoire planned for the submission.

vi. or distribution of repertoire 

c. February 1 – Entry portal opens on www.tmea.org

d. Directors must register their ensembles and complete the necessary forms between February 1 and March 1.

e. March 1 – Entry portal closes on www.tmea.org

f. March 2 – If more than 4 bands in a class enter at the Region level, a Region listening session is required. Print the Region Invoice and submit payment to the Region by June 1.

g. March 2 – All entries are required to pay the Area/State entry fee. Print the Area/State Invoice and summit payment to TMEA by June 1. Failure to submit the payment to TMEA by June 1 will result in disqualification.

h. Entries that withdraw or do not qualify for Area will be refunded the Area fee.

i. Each ensemble must have a completed TMEA Honor Band Online Entry submitted by March 1 at 11:59PM.

j. Failure to file by March 1 renders any organization ineligible to enter the Honor Band process.

k. June 1 – All recordings and forms must be submitted online and scores are due to the Region Band Chair.

2. A Principal’s Certification (online – complete, print and sign) must accompany each entry. The school principal verifies the details and circumstances of the recording and on behalf of the school accepts responsibility for any irregularities or unethical practices.

3. A Letter from the Superintendent (or designee) must accompany the recording stating whether or not the band will perform at the TMEA Convention the following year if it is selected. The director and principal should note the limited flexibility of performance schedules during the convention prior to entering their recording. Each organization must be prepared to perform at the time scheduled by the Band Division Chair.

4. A Director’s Statement of Responsibility (online – complete, print and sign) must accompany each entry.

5. A Director’s Clinician Report (online – complete, print and sign) must accompany each entry.

6. Once recordings are selected for submission the Director completes the online entry by submitting titles (with movements) and composers in the order the selections are to be uploaded and played.

7. Entry documents will be printed, signed, and uploaded by the June 1 (or Region prescribed) deadline.

8. A band entering Honor Band competition will upload recordings using the online TMEA Honor Band Entry process.  The director and principal must have signed the printable Honor Band Entry Form and checked these forms for accuracy certifying the three recordings adhere to the Honor Band Rules, Procedures, and Guidelines. These signed forms will be scanned and uploaded online.

9. Five scores of each selection WITH SCHOOL IDENTIFICATION MARKED OUT must be submitted to the Region Chair by June 1. Submitting “Permanently Out of Print” scores or rental scores must follow publisher and copyright policies.

Recording Requirements

1. Recordings submitted must contain performances from the current school year.

2. No voice identification should appear on the recording.

3. Each group may have a maximum of four performances scheduled for recordings.

4. A recording may not be submitted from any performance other than the four which are on file by March 1.

5. One date may be substituted provided that the Region Band Chair is notified PRIOR to the originally scheduled date and time with the newly scheduled date and time (except in the case of an emergency cancellation during a performance).

6. Three selections will be submitted; one march and two selections of other types.

7. Repertoire submitted for the Honor Band process shall be as follows:

a. All classifications must submit three concert band works – one march and two additional selections

b. Each selection submitted must be a continuous performance that was recorded at a concert, festival, or contest.

c. All movements submitted of a multi-movement work must be sourced from a single, continuous performance. Movements in the recording submission must be in the same order the movements were performed.

8. The complete uploaded recorded program must not exceed these time limits:

a. Classes 1A, 2A, 3A, 4A, 5A, and 6A: 35 Minutes

b. Classes 1C, 2C and 3C: 25 minutes

9. Some examples of unethical and unacceptable practices:

a. Private recording sessions. This includes sessions on or off-campus.

b. Recording in a recording studio or under studio conditions (i.e. use of microphones for individuals or small groups).

c. Multiple recording (recording the same selection or a part thereof  more than once in a given concert).

d. Splicing within a single composition.

e. Any engineering, editing, or tampering in any way with the recording after the performance. After the initial recording compression of the recording in any fashion is not allowed. Note: The only allowable technical alteration to a recording is adjustment of master volume.

f. Impromptu scheduling of performances for selected students or classes during the school day.

g. Students not dressed uniformly in the formal concert attire designated by the director for the organization.

h. Rescheduling a concert date for reasons other than student illness, school scheduling conflict, defective recording equipment, inclement weather, or emergency cancellation during a performance.

i. Any other practice which could be construed as being unprofessional, unethical, or in violation of the spirit of the competition.

Note: These statements of unacceptable practices serve only as some possible violations of the SPIRIT and PURPOSE of the Honor Band competition. Verified occurrence of any unacceptable practices will serve as grounds for disqualification from auditions and/or Honor Band performance. Protests and charges of unethical procedures must be filed in writing with the State Band Chair.

10. The following are allowable edits of recorded submissions:

a. Submitted recordings may be edited to eliminate excess time between movements of a multi-movement work.

b. Submitted recordings may be edited to eliminate audience applause.

c. Submitted recordings may be edited to combine multiple tracks of a multi-movement work into a single audio file for online submission.

i. Movements must be combined in the same order the movements were performed.

ii. Combined movements must be from the same recording.

d. Submitted recordings may be edited to match volume from track to track.

e. Submitted recordings should be edited to remove voice identification.

11. All selections must be recorded and submitted in a digital* format and must be edited to remove any introduction of the band performing or comments regarding the band.

a. Recording standards accepted:

i. *Preferred: WAV (Uncompressed); Sample rate: 44, 100 Hz; Stereo; 16-Bit (required)

ii. 4a (AAC-LC); Sample rate: 44,100 Hz; Stereo; Bitrate: 256 kbps, constant

iii. mp3; Sample rate: 44,100 Hz; Stereo; Bitrate: 256 kbps, constant

Region Honor Band Adjudication

1. Regions are responsible for the selection of four Honor Band representatives per classification being considered each year.

2. Recordings will be identified by a letter code rather than by the name of the school.

3. Each panel will hear the recordings and rank all bands.

4. All Honor Band adjudication rounds will be open to the general public.

5. Selection procedures for judges and finances shall be determined by the Region Band Chair and that Region’s membership, with adherence to the rules, procedures, and guidelines within this document.

a. The maximum Region entry fee is $400 per participating ensemble if a Region round is required. The payment must be received by the Region Chair on or before June 1. Failure to remit payment by June 1 will result in disqualification.​

b. If no Region round is required for a given classification, no Region fee may be charged to bands in said classification.

6. The Region Honor Band round shall be adjudicated by 5 judges according to the following criteria:

a. Adjudicators must be current TMEA members.

b. No Region may use a judge for Region Honor Band Competition who lives or teaches within the Region.

c. A Region may use a maximum of two judges outside their Area that have a recording entered in the same classification. Those two judges cannot be from the same Area.

i. Flow Chart for the securing of Region Honor Band Judges

d. The honorarium paid to judges shall be $300.00 per day.

e. A Region may determine the number of panels to be used for the respective sessions.

f. Two Regions may combine to ensure the $400/ensemble limit covers the full cost of a 5-member adjudication panel.

1. 1. 1. Regions will receive guidance from the State Band Chair regarding possible combined Region Listening Centers.

Area Honor Band Adjudication

1. Each Region may submit four entries per classification to the Area Chair.

2. Each Region’s Area qualifiers’ scores must be received by the appropriate Area Chair by June 15 of the competition year.

3. A current Region Band Chair in each Area will be appointed Area Listening Center Chair by the State Band Division Chair.

a. In the event that all the Region Band Chairs in an Area have entered the Honor Band process, the State Band Chair shall select the Area Chair at the State Band Chair’s discretion.

b. Directors or Assistant Directors of participating bands at the Area Honor Band Competition may not function as an organizer, facilitator or recording playback technician. Additionally, these individuals shall neither hire the judges nor tabulate results.

4. The Honor Band Competition shall use the same alignment as the TMEA Region and Area competitions.

a. Class 1C, 1A/2A, 3A, and 4A will use the same alignment as the 2C, 3C, 5A, and 6A regions/areas.

5. Once a recording is entered in the competition, no substitution of a recording shall be allowed unless specifically requested by the State Band Chair.

6. Area Adjudication will take place at four Area Listening Centers.

a. Each panel will judge the same classification for all Areas at that Listening Center.

b. The State Band Chair will ensure that all Area Listening Centers have uniform playback equipment.

c. The Area Listening Centers will be in the following general locations with specific sites and chairs to be determined by the State Band Chair and published here:

i.        Areas A and B – Aledo

ii.       Areas C and D – Dallas

iii.     Areas F and H – Houston

iv.     Areas E and G – San Antonio

7. Each band entering the Honor Band competition will pay a one-time Area/State Honor Band Entry Fee of $500.00 by June 1 to underwrite expenses for Area and State adjudication.

a. Checks for the Area/State fee must be made payable to the TMEA.

b. Checks must be sent by mail or hand delivered to the TMEA – PO Box 140465, Austin, TX 78714.

c. Should there be a deficit, the balance will be pro-rated and collected from the participating schools.

d. Failure to remit payment by June 1 will result in disqualification. Payment must be received by June 1.

e. Bands that have submitted the Area/State fee and withdraw from competition or do not qualify for the Area round will be refunded the $500 Area fee by TMEA.

f. All financial business for the Area Honor Band adjudication includes, but is not limited to, payments to judges, Area Chairs, hosts, and playback operators, etc. will be managed by the TMEA State Headquarters.

g. Area Chairs should refer to the Best Practices and Guidelines for Area Honor Band document for contest stipends and expense report completion.

h. Expense reports must be filed with the TMEA office in a timely manner.

8. Recordings will be identified by a number code rather than by the name of the school.

9. Each panel will hear the recordings and rank all bands.

10. All Honor Band adjudication rounds will be open to the general public.

11. Each Area may submit Honor Band recordings to the State round as per the following criteria:

a. In classifications 1C, 1A/2A, 3A, and 4A, 8 bands per classification may advance from the combined Areas at each Listening Center. For example, the Area Listening Center located in Abilene could advance 5 bands from Area A and 3 bands from Area B, while the Area Listening Center located in Dallas could advance 6 bands from Area C and 2 bands from Area D.

b. In classifications 2C, 3C, 5A, and 6A, bands will advance to the State Honor Band round based on the criteria below:

i. 1-4 bands at Area – 1 band advances to State

ii. 5-8 bands at Area – 2 bands advance to State

iii. 9-12 bands at Area – 3 bands advance to State

iv. 13-16 bands at Area – 4 bands advance to State

12. The Area Honor Band adjudicators will be selected and compensated following the procedures outlined below:

a. The State Band Chair will appoint an Honor Band Adjudication Chair to organize judging panels required for Area Honor Band Adjudication.  All panels will be reviewed and approved by the State Band Chair.

b. Adjudicators must be current TMEA members.

c. The selection of these judges will take place between April and early June.

d. The Honor Band Adjudication Chair will adhere to the following criteria when considering judges:

i. Adjudicators must reside outside the Area they are asked to judge.

ii. The five-judge panel shall have no more than two judges from any single Area.

iii. One panel will be assigned the 6A and 4A or 5A and 3A classifications.

iv. One panel will be assigned the 2C and 1A/2A or 1C and 3C classifications.

v. Judging panels should represent at least 4 separate Areas.

vi. No one may judge at the Area Level if he/she served as a clinician for a band being adjudicated at the Area round.

vii. Bands must notify the Area Chair of anyone who served as a clinician, rehearsed, or conducted the band by means of the Director’s Clinician Report form.

viii. No one may judge the classification at the Area or State level if he/she has a recording entered in the same classification that has not been eliminated at the Region or Area level.

ix. The honorarium paid to judges shall be $300 plus expenses per day of adjudication.

x. An amount equivalent to a judge’s honorarium will be paid to the Area Honor Band Chair.

xi. Each Area Honor Band Host and playback operator will receive a $300 stipend per day.

xii. Every effort should be made to choose panels appropriate for each classification.

xiii. The State Band Chair, in conjunction with the State Honor Band Chair and the Honor Band Adjudication Chair, may use one panel when warranted by the number of entries in a classification.

State Honor Band Adjudication

1. Each Area may submit entries to the State round as outlined in the previous Area Level – Section 11 description.

2. Each Area’s State qualifiers’ scores and entry documents must be mailed to the State Band Chair and must be postmarked no later than the date published on the TMEA website and in the Southwestern Musician.

3. All scores and entry documents must be hand-delivered or sent by Certified Express Mail.

4. Second Day Delivery is recommended. The address will be determined each year.

5. The State Band Chair will appoint an Honor Band Adjudication Chair to organize panels required for the State Honor Band Adjudication Semifinal and Final rounds.  All panels will be reviewed and approved by the State Band Chair.​

6. The State Honor Band Adjudicators will be selected and compensated following the procedures outlined below:

a. At the State level, up to 12 panels of five adjudicators will be organized through a coordinated effort by the Honor Band Adjudication Chair and State Band Chair.

b. Adjudicators must be current TMEA members.

c. Adjudicators will represent as wide a geographical area as possible and will be selected from the ranks of currently active or retired Texas music educators.

d. Every effort should be made to select panels appropriate for each classification being adjudicated.

e. The honorarium paid to judges shall be $300.

f. The playback operator will receive a $300 stipend per day.  Playback operators must be active or retired TMEA members.

g. The State Honor Band Chair, in conjunction with the Honor Band Adjudication Chair, may use one panel when warranted by the number of entries in a classification.

7. Recordings will be identified by a number code rather than by the name of the school.

8. Each panel will hear the recordings and rank all bands.

9. All State Honor Band adjudication rounds will be open to the general public.

10. The Preliminary State Adjudication Round (if needed) shall be conducted as follows:

a. The Preliminary round will take place the day BEFORE the Texas Bandmasters Association Convention at a site determined by the State Band Chair.

b. Bands advancing from each Area shall be evenly divided across 2 preliminary rooms based on the total number of entries from each Area. This process will be conducted by the State Band Chair in conjunction with the TMEA Deputy Director. Every effort will be made to balance the quality of bands between the two preliminary rooms based on Area rankings.

c. If 16 to 19 bands advance to the State round per classification, two 5-judge panels will rank the ensembles in two Preliminary adjudication rooms. The top 4 bands per classification per room will advance to the Final State Honor Band round.

d. If 20 or more bands advance to the State round per classification, two 5-judge panels will rank the ensembles in two Preliminary adjudication rooms. The top 5 bands per classification per room will advance to the Final State Honor Band round.

11. The Final State Adjudication Round shall be conducted as follows:

a. The Final State Adjudication Round will normally be scheduled on the first day of the Texas Bandmasters Association Convention.

b. One 5-judge panel will rank up to 15 bands.

12. At the end of the adjudication period, a verification period will begin. At that time, all competing directors should report to the TMEA Band Division Office to review and verify the results for their classification.

13. Rankings for all State-Level Honor Bands will be posted at the TMEA Booth at TBA and will be included in the TMEA Honor Band online archives.

Ranking Procedures for Region, Area and State Levels

1. The TMEA Honor Band Tabulation program shall be used to calculate the results.

2. Individual judges’ rankings will be available to all directors involved in the competition, but not made available to the general public. The judges’ rankings will be provided from low to high so as to maintain the anonymity of the individual judges. The results will be posted as final after the verification period has concluded and afterward subject to the TMEA Appeals Process.

3. In the use of a five (5) judge panel, the Olympic scoring system will be used. Each band’s high and the low score will be dropped. The band with the lowest composite score of the remaining three (3) scores will have the highest ranking except if a majority of the remaining three (3) judges have a band as first. In this event, that band shall be declared as first.  All other bands will be ranked according to the remaining three (3) judges composite scores.

5. Section 4 above super-cedes the possible situations described below:

a. In the case of a tie, the majority of ALL 5 judges selecting one band over the other will decide the winner.

b. Two-way ties will be broken by using the judges’ preference with the following exception:

i. A second hearing of any band’s recording will occur only if performance at the TMEA Convention is impacted.

c. Three-way or more ties performance at the TMEA Convention shall be broken by a re-hearing of all tied recordings continuing traditional scoring methods. Ties that remain after the single re-hearing will be broken using traditional TMEA audition tie-breaking procedures.

Area Listening Center Chairs/Hosts

Listening Center	Areas	Chair	Host	Location
1 - Aledo	A & B	Joey Paul	Joey Qualls	McAnally Middle School
2 - Dallas	C & D	Chuck Moon	Paula Tagalos	Duncanville HS
3 - Houston	F & H	Andy Easton	Andrew Easton	Tomball Memorial HS
4 - San Antonio	E & G	David Stephenson	Rob Lozano	CT Johnson HS

Area Judges

Area Listening Center 1 - Aledo - Areas A & B - June 17-18
Class 1C

Name	School	Conf	Region	Area

Area Listening Center 1 - Aledo - Areas A & B - June 17-18
Class 3A,5A

Name	School	Conf	Region	Area

Area Listening Center 2 - Dallas - Areas C & D - June 17-18
Class 3C,5A

Name	School	Conf	Region	Area

Area Listening Center 2 - Dallas - Areas C & D - June 17-18
Class 5A

Name	School	Conf	Region	Area

Area Listening Center 3 - Houston - Areas F & H - June 17-18
Class 1C,3A

Name	School	Conf	Region	Area

Area Listening Center 3 - Houston - Areas F & H - June 17-18
Class 5A

Name	School	Conf	Region	Area

Area Listening Center 4 - San Antonio - Areas E & G - June 17-18
Class 1C

Name	School	Conf	Region	Area

Area Listening Center 4 - San Antonio - Areas E & G - June 17-18
Class 5A

Name	School	Conf	Region	Area