This is the official listing of the 2024–2025 Orchestra Division All-State Audition Material.
All amendments, corrections and errata will become official only when it is published here.
Etudes are copyrighted materials. Do not post etudes on any websites or social media.
Be sure to make note of any changes that may appear here during the upcoming months. Should you discover any errata in the music that may have been missed, please notify the State Orchestra Division Chair.
Book - Title |
Editor |
Publisher |
Edition |
Rode 24 Caprices for the Violin |
Rode/Galamian |
International Music Company |
2066 |
Page(s): 46-47 |
Etude No: 22 |
Etude Title: Presto |
Tempo: Dotted Quarter Note = 54-66 |
Region Cut: Play from m. 1 to m. 91. |
Area Excerpts and Etude Recording Cuts |
Errata: m. 173: The "1" marked on the F# indicates a shift up on the A string. Stay on the A string through the first note of m. 174 (posted 5/26) |
Book - Title |
Editor |
Publisher |
Edition |
36 Etudes or Caprices for Violin Solo (Ivan Galamian) |
Fiorillo/Galamian |
International Music Company |
No. 2178 |
Book - Title |
Editor |
Publisher |
Edition |
Etudes Speciales, Op. 36, Bk. 1, Vol. 1885 |
Mazas (Mogill Edition) |
Schirmer |
5026 2570 |
Page(s): 38-39 |
Etude No: 26 |
Etude Title: Allegro non troppo |
Tempo: Allegro non troppo: Quarter Note = 84-96 |
Region Cut: Play from m. 1 to the first note of m. 56. |
Area Excerpts and Etude Recording Cuts |
Errata: Note: Download the Public Domain version using the link below for the correct articulations. The errata listed below must be applied to this file. (posted 5/17/2024)
m. 2, 17, 19. 34, 88 & 92: add accent on beat 2 & remove the decrescendo (posted 5/2)
m. 40: The up bow slur marking should include the 2nd, 3rd, 4th, 5th & 6th notes of the measure) (posted 5/2)
m. 48: The decrescendo begins on the second eighth not (as in m. 40) (posted 5/2)
m. 51: The last three eighth notes should be up bow (posted 5/2)
m. 74: The C natural (first note of the measure, top note), should be marked C#
(posted 5/2)
m. 39: The last three eight notes should have staccato dots (posted 5/23)
m. 7: The third note "B" should have a staccato dot (posted 7/11) |
Public Domain Download: \wp-content/uploads/Audition/Orchestra/2025/Viola_Mazas_No_26.pdf
|
Book - Title |
Editor |
Publisher |
Edition |
41 Caprices, Op. 22 for Viola |
Campagnoli |
Peters |
EP2548 |
Page(s): 7 |
Etude No: 6 |
Etude Title: Adagio |
Tempo: Quarter Note = 44-50 |
Region Cut: Play from m. 1 to m. 26. |
Area Excerpts and Etude Recording Cuts |
Errata: m. 4: beat 4 should be marked up bow (continue up bow through the slur)
m. 22: change to up bow on beat 3 (continue through downbeat of m. 23) (edited 5/2)
m. 3 remove the slur from dotted quarter note G to the following F so the last three eighth notes are down, up, down (posted 5/15) |
Book - Title |
Editor |
Publisher |
Edition |
40 Studies High School of Cello Playing, Op. 73 |
Popper (Stutch) |
International Music Company |
No. 811 |
Page(s): 40-41 |
Etude No: 19 |
Etude Title: Allegro |
Tempo: Quarter Note = 120-136 |
Region Cut: Play from m. 1 to downbeat of m. 45. |
Area Excerpts and Etude Recording Cuts |
Errata: m. 29: The second "c" in this measure (the second note of tenor clef) should be a C natural. (posted 7/23) |
Book - Title |
Editor |
Publisher |
Edition |
20 Studies, Op. 11 |
Merk (Klengel) |
International Music Company |
No. 1709 |
Page(s): 28-29 |
Etude No: 16 |
Etude Title: Adagio, Allegro Moderato |
Tempo: Adagio: Quarter Note = 64-70; Allegro Moderato: Quarter Note = 70-80 |
Region Cut: Play from m. 1 to m. 60. |
Area Excerpts and Etude Recording Cuts |
Errata: m. 1: Change the "1" on the top of the last note of the measure to a "4". (posted 8/8) |
Book - Title |
Editor |
Publisher |
Edition |
57 Studies, Vol I |
Storch-Hrabe (Zimmermann) |
International Music Company |
No. 1034 |
Page(s): 28 |
Etude No: 27 |
Etude Title: Moderato |
Tempo: Quarter Note = 132-148 |
Region Cut: Play from pick ups to m. 26 to m. 91. |
Area Excerpts and Etude Recording Cuts |
Errata: Play from Tempo giusto (Pick ups to m. 26) to the end. Do not play m. 1-25 |
Book - Title |
Editor |
Publisher |
Edition |
30 Studies |
Simandl |
IMC |
No. 1296 |
Page(s): 22-23 |
Etude No: 20 |
Etude Title: Moderato assai |
Tempo: Dotted Quarter Note = 54-63 |
Region Cut: Play from m. 1 to m. 48. |
Area Excerpts and Etude Recording Cuts |
Errata: All time signature changes should be played as: eighth note = eighth note (m. 17, 41, 49, & 65) |
Book - Title |
Editor |
Publisher |
Edition |
Tema con Variazioni |
Handel/Zingel |
Schott |
ED 4913 (SD49005259) |
Page(s): 2-7 |
Etude No: |
Etude Title: Tema con Variazioni |
Tempo: Quarter Note = 80-100 |
Region Cut: Play from m. 59 to end. |
Area Excerpts and Etude Recording Cuts |
Errata: All small notes in the bass clef should be played (posted 5/6) |
Book - Title |
Editor |
Publisher |
Edition |
Petite Valse
|
Hasselmans |
Lyra Music Company |
|
Page(s): 1-5 |
Etude No: |
Etude Title: Petite Valse |
Tempo: Quarter Note = 138-176 |
Region Cut: Play from m. 65 to end. |
Area Excerpts and Etude Recording Cuts |
Errata: M. 2: RH note (D) should be played as the harmonic. |
Book - Title |
Editor |
Publisher |
Edition |
Songs Without Words (Selected Favorites) |
Mendelssohn |
Alfred |
00-468 |
Book - Title |
Editor |
Publisher |
Edition |
Three Preludes for Piano |
Gershwin |
Hal Leonard |
|